Almost two weeks into the December Sketch-a-Day Challenge and I am caught up. What’s more, I never even fell behind—I’ve actually sketched something every day so far! I’m not going to post every sketch here, but I’ve been doing a series of portraits based on Photobooth pictures of friends (along the lines of the self portrait I posted last time). Here they are! Various levels of completed-ness, of course, and all created entirely in Adobe Photoshop. Thanks so much for letting me draw you, friends!
December Sketch-a-Day challenge. It’s happening. I can’t tell you how excited I was when two of my friends posted sketches to the facebook group today before I’d even started thinking about my sketch for the evening. And here’s that sketch, by the way, my second annual It’s The Monday After Thanksgiving, Work Sucks, and I Need a Haircut self portrait (you can find last year’s here.) And remember it’s not too late to join the december challenge; you can post sketches to your blog or find us on facebook by searching for the December Sketch-a-Day Challenge facebook group.
I probably won’t post sketches here every day, but I thought I’d let you know that I’m off to a good start.
Or the beginning.
Most likely, a particularly productive bit of middle. I’ll try to stick with it as long as I can.
This is a drawing of Floor Jansen, the new lead singer for the symphonic metal band Nightwish. Brother and I used to listen to listen to a lot of Nightwish back in high school. Lately I haven’t been listening to as much metal as I used to, but Brother sent me a video of Jansen performing live with the band from the 2013 Imaginaerum tour. He told me she has really good stage presence and is a lot of fun to watch, and I completely agree! I also can’t stop listening to Storytime from Imaginaerum (the song in the video), and the entire Imaginaerum album. To create the above image, I took some screencaps from the concert video and then chose the one with the coolest lighting to use as reference. This was sketch #3 for my December Sketch a Day program, and it went a little bit beyond a sketch; I spent at least two or three hours on the image above (while listening to Imaginaerum on repeat). I tried to focus on brightness and proportions. It isn’t perfect, but in the spirit of the sketch-a-day thing, I’m going to share it anyway. Oh, and here’s the concert video:
Thanks for all your support on my December project! I’m going to share the sketches in two or three updates a week, in whatever order makes the most sense to me. I may also collect them chronologically on a separate page, in case the updates get too hard to sort through by the end of the month. Also, it’s catching on! Here’s the rule for joining in: start from where you are, and do a sketch for every subsequent day of December. I’m doing 31 sketches because I started on the first, but if you start today (the 4th) your goal should be 28, and et cetera. If you want to join in and you’re publishing sketches on the internet anywhere, let me know and I will link to you.
I’m going to go draw something now.
Okay, scratch that, I’m going to the pub with Mr. Huntington.
But THEN I’m going to draw something. Promise. 🙂
My relationship with making art is a lot more complicated than my relationship with writing. I have a few theories about that, but if I start writing that blog post right now I’ll be working on it for days. Right now, I just want to share this unfinished sketch with you. It’s hardly the most exciting art-thing I’ve done this week, but I need a little more time to finish the other pieces before I share them with you. I’m not even working on Wanderlust illustrations yet; I’m just trying to get used to working with visual media every day, and I’m challenging myself to try new things and to bring a few pieces all the way to completion. This, though, I probably won’t finish or work back into—unless you think I should?
I used the really quick sketch of Vanya from last week’s post as a starting point, and he picked up the smirk somewhere along the way. There are probably already enough sketches of him pouting.
Vanya’s pouting face is something of a touchstone for me, artistically. It’s an image I return to whenever I’m experiencing a block or looking for a way to move forward, and something I never quite get tired of drawing. Artists: do you have any images or characters you draw over and over, or return to every time you get stuck? Writers: Do you have any themes or images in your writing that you use the same way? Please leave a comment and share your thoughts!
Almost done with all the prizes! The two bonus winners will get theirs tomorrow.
First, my Aunt Ruthanne. Not really sure what to say about this one; it started out as a cross between a brontosaurus and Nessie, and now it looks more like a cross between a cow and a fish and Nessie. For Ruthanne’s Race to the 8th entry, I blogged about blogging. (And, by the way, she DID start her blog on the 8th: A More Colorful Life.)
Next up, Jess, of Icarus Falls Design. I think it’s an elf. For Jess’s Race to the 8th entry, I wrote about how character’s names motivate me to get writing.
For Caitlin of The Hopeful Heroine, I did a sketch of someone who could be a heroine in a middle grade novel. For Caitlin’s Race to the 8th entry, I wrote about a moment from our shared summer in Ireland.
And last for today, the honorable and excellent Lady Higg of Ales to Stouts. She gets a wolf, because SOMEDAY I hope to see a finished, published version of her high school novel about magical wolves and their adventures. For Lady Higg’s Race to the 8th entry, I wrote about how the writing process has changed since I graduated college.
Thanks for playing, everyone! Bonus winners, you will get your prizes very soon, and likewise I will email quality jpgs of the prizes I’ve already posted very soon as well.
Taniel is one of the main characters from my upcoming novel, Wanderlust. His face is a little too thin here, and he looks slightly elven—no doubt a result of my current Tolkien kick.
I believe I’ve posted the most drawings of Vanya, the blonde one, and spent more time talking about Vanya than Taniel in this space. I did create Vanya first, and he is exceptionally dear to me—but Vanya never worked as a character until he had Taniel. Vanya is a sort of mysterious man-child, a wandering waif with a harp. This works as an archetype, as an idea, but in terms of story he needs someone to engage with. Wanderlust is written in very limited third person, and we see the whole story through the eyes of Taniel. Taniel’s thoughts provide readers with an access point to Vanya, and to the story. He is Vanya’s sine qua none; without him, Vanya could not function as a character and, indeed, Vanya could never embark on the adventure of a lifetime that is chronicled in Wanderlust. They didn’t know it, but before they met each other both Vanya and Taniel were waiting for their lives to begin.
And there, I’ve talked about him all in terms of Vanya again. It’s a little inescapable, as they both exist for each other. Yet who is Taniel?
He is a band manager when the story begins, having turned to the business side of music when he decided early on that he didn’t have what it takes to become a professional musician. He has worked very hard for a very long time, and most of his life centers around work. He doesn’t have very many friends. He is health-conscience, rule-abiding, and something of a scholar. Though prone to panic and quick bursts of anger, he has always felt most comfortable with himself when he has someone else to take care of. He is an orator, a dreamer, and a teller of stories, but he was forced to be practical very early in life, and he needs the influence of Vanya to re-discover his creativity and appreciation for the beauty and magic of the world.
Does that whet your appetite? Knowing this much about Taniel, would you pick up my book and read more?
This is very much a sketch, and still contains many inaccuracies. I’m posting it because I’m probably just going to start another sketch instead of polishing it up into anything. I had an “OMG I DON’T KNOW ANYTHING ABOUT THE MUSCLES OF THE HUMAN BODY” freak-out this afternoon (do you get those, or is it just me?). So I got out my books (how many variations of the title “Anatomy for the Artist” do YOU own?) and read some things and panicked and drew some muscles and drew some REALLY BAD drawings and panicked some more and finally made the above image, which I created from scratch while referencing pertinent muscle groups. Like I said, it is not anatomically perfect AT ALL, but it has, at least, calmed the panic. I’m going to keep working from the books and maybe I’ll post some more anatomy study drawings here in the next few days.
Source photo from Anatomy for the Artist by Sarah Simblet. Drawn from observation entirely in Adobe photoshop on Tuesday (23 October 2012).
I didn’t draw on Wednesday (I did hike five miles and write some things!) but as a warm-up on Tuesday I worked on a sketch of Taniel to go with the glam sketch of Vanya I posted last week. I even fixed it up a bit today; if you think the eyes are funky now you should have seen them before!Several things wrong here; mostly it’s an example of why I’m doing more work from observation.
I found a boy with a harp, so I drew him.
Thomas Crawford (artist)
American, 1814 – 1857
David Triumphant, model 1845/1846, carved 1848
marble and bronze
height: 114.3 cm (45 in.)
I arrived back in Maine at 8 am this morning after traveling through the night via Greyhound Bus. I have so much enjoyed my trip to North Carolina and DC, and I’ve had so many diverse experiences in the last two weeks. With any luck I’ll get to writing about them in the next few days, on the off chance you’re getting tired of all these pictures. 🙂