Almost two weeks into the December Sketch-a-Day Challenge and I am caught up. What’s more, I never even fell behind—I’ve actually sketched something every day so far! I’m not going to post every sketch here, but I’ve been doing a series of portraits based on Photobooth pictures of friends (along the lines of the self portrait I posted last time). Here they are! Various levels of completed-ness, of course, and all created entirely in Adobe Photoshop. Thanks so much for letting me draw you, friends!
December Sketch-a-Day challenge. It’s happening. I can’t tell you how excited I was when two of my friends posted sketches to the facebook group today before I’d even started thinking about my sketch for the evening. And here’s that sketch, by the way, my second annual It’s The Monday After Thanksgiving, Work Sucks, and I Need a Haircut self portrait (you can find last year’s here.) And remember it’s not too late to join the december challenge; you can post sketches to your blog or find us on facebook by searching for the December Sketch-a-Day Challenge facebook group.
I probably won’t post sketches here every day, but I thought I’d let you know that I’m off to a good start.
Or the beginning.
Most likely, a particularly productive bit of middle. I’ll try to stick with it as long as I can.
Long weekends don’t mean too much to me, generally; I always have Mondays off. Brother came up from Massachusetts on Friday evening, though, and stayed with me and Brackett through yesterday. We checked out the newly renovated Dogfish Bar and Grill for lunch yesterday (I can recommend the 128 Free Street Sandwich) and then Brother and Brackett picked up some vinyl and a few Super Nintendo games at the Electrcic Buddhas nostalgia shop around the corner. They proceeded to beat Goof Troop in under two hours—a game that had seemed impossibly difficult when I was a child. Brother headed up to our parents house yesterday evening, and I’m following in a few hours. Sadly, I have to return my mother’s car. It was easier for her to leave the vehicle with me last weekend than for us to figure out the logistics of her and my father dropping me and another friend off in Portland on their way home from the retreat in separate cars in time for a scheduled event back home. It’s been really nice having wheels for a few days.
I can’t share the painting I was telling you about last weekend yet. I’m really happy with how that’s turning out, but it’s not quite done. My week was subsumed by another worthy project (yes I did make art during the week this week, though it was for a different purpose [an exciting one!] than my usual stuff) so I haven’t made too much more headway on that painting or my other digital art. I did make a sketch yesterday that I finished today, though, so I’m sharing that instead. I’m working on an illustration for the picnic scene in Chapter 4 (Wanderlust Chapter 4: City of Shadows) and right now I’m planning where everyone’s sitting and what they’re doing. I’m hoping to round up some friends to shoot reference photos this week (friends in Portland: I need about two more models for a picnic scene—let me know if you want to help!), so it will be good to know what poses I’m looking for ahead of time. I’m thinking Vanya will be in the background of the scene taking a swig of his drink. I realized I’d never drawn that before, so I did the following sketch as a study, using some stock photos as reference.
I could spend a lot more time perfecting this painting, but I’ve been working on it off and on for almost a year now. I need to move on. It’s a set piece with Vanya and Taniel, Wanderlust main characters. I painted in black and white because my book illustrations are black and white, but it’s not an illustration of any specific scene. Click the image if you’d like to see it a little larger.
This is a digital painting created in Adobe Photoshop. Comments and constructive criticism are very welcome. Everything’s still a learning process, and I’ve discovered since graduating that I have a very hard time finishing anything without deadlines. Part of this is that I’m still figuring out my style, and how far to polish things while retaining a sketchy and loose quality to the work. Still figuring out whether the sketchiness is a choice, rather than a lack of skill or inability to take an image to the level I would like to achieve. At any rate, I think I’d learn a lot more by completing pieces and then making more work, rather than by agonizing over a very few pieces that never reach completion. I hope that “finishing” this piece, and sharing it here, is a step in the right direction.
People have told me they enjoy seeing my rough work, so here are a few in-progress pics for the above completed image:
Originally, I wanted a futuristic city-scape for the background (I’d been watching a lot of Doctor Who, okay?):
Then I started using photos of myself for anatomy reference. Someday this will be the first step, instead of the oh-crap-I’ve-already-started-drawing-and-now-that-I’ve-spent-three-hours-on-this-pose-I-realize-it’s-not-anatomically-possible step.
I decided the city was way too much trouble, but still wanted to keep the blimps. Face is getting there.
And nearly there. Goodbye blimps, hello castle.
And the rest is mostly lighting and finishing. Scroll back up for the [as] finished [as it’s going to get right now] piece!
At about 11 am this morning, I posted the following status on the Wanderlust Facebook page: I’m working on a new Wanderlust illustration! Okay, it’s not actually for the book, but it’s got the characters and it’s in the same style. What do you think: Can I finish it in time to post it up on the Wanderlust blog by the end of the day?
It’s 8 o’clock in the evening now and I haven’t finished the illustration, but I have been working on it almost literally all day. I made that facebook post to challenge myself, because as I embark on the “Finish ALL the Illustrations!” stage of Wanderlust, I’m terrified that I won’t be able to get anything done without the pressure of deadlines. I’m also terrified that I won’t be able to draw anything good. Today, even if I’m not quite ready to show you yet, I’ve proved to myself that I’ve still got what it takes to sit and draw all day. I really like how this illustration is turning out and I’m enjoying working on it—two self-esteem boosters that make me excited to begin the rest of the illustrations for my book.
Here’s an itty-bitty preview just to whet your appetite, although it doesn’t give you a sense of the whole piece at all.
The next challenge is to see if I can actually finish the piece within the next few days. If I can’t, well, then we’re in trouble… or at least back to wondering whether I’ll survive as an artist without scholastic deadlines.
My relationship with making art is a lot more complicated than my relationship with writing. I have a few theories about that, but if I start writing that blog post right now I’ll be working on it for days. Right now, I just want to share this unfinished sketch with you. It’s hardly the most exciting art-thing I’ve done this week, but I need a little more time to finish the other pieces before I share them with you. I’m not even working on Wanderlust illustrations yet; I’m just trying to get used to working with visual media every day, and I’m challenging myself to try new things and to bring a few pieces all the way to completion. This, though, I probably won’t finish or work back into—unless you think I should?
I used the really quick sketch of Vanya from last week’s post as a starting point, and he picked up the smirk somewhere along the way. There are probably already enough sketches of him pouting.
Vanya’s pouting face is something of a touchstone for me, artistically. It’s an image I return to whenever I’m experiencing a block or looking for a way to move forward, and something I never quite get tired of drawing. Artists: do you have any images or characters you draw over and over, or return to every time you get stuck? Writers: Do you have any themes or images in your writing that you use the same way? Please leave a comment and share your thoughts!