So I’ve decided. I’m going to attempt NaNoWriMo this year. National Novel Writing Month. Writing a 50,000 word novel during the month of November. This is the first year I’ve been in a place where it sounded like a good idea (click for my thoughts on the subject a year ago). It’s a whole month where I won’t be working on Wanderlust, true, but I’ll be getting great writing practice, learning how to fit writing into my schedule, and maybe even making some writer friends in this area. I think it will be a lot of fun.
And you probably want to hear about the book.
It’s something that I’m personally really excited about, and that I haven’t been able to get out of my head for the past year. Yet even as I’ve been world-building, collecting pieces of plot, and making exciting discoveries about how everything comes together, I didn’t think I’d actually be able to tackle the project for years and years. For a number of reasons. You see, it’s about these two guys. With Wanderlust my main focus right now, it doesn’t seem entirely wise for my secondary project to be ANOTHER story about a couple of guys—even though they (Cor and Tristan) are entirely different characters from Taniel and Vanya, and their story is a completely different sort of thing. The second thing is… it’s high fantasy. Swords and sorcery. Battles and blood. I have read a lot of high fantasy, and it’s one of my most favorite genres, but there’s a lot of it out there, and a lot of it is crap. I… this is probably my own issue, and I’m probably accidentally discounting some really good work, but I have trouble asking people to take me seriously as an aspiring author writing high fantasy when I know there are so many people out there writing books in LOTR inspired worlds with all their made up, fantasy-sounding names and it just isn’t any good. I wanted to establish myself with the urban fantasy, maybe that dystopian kinda book I’m working on, before I ask anyone to take my high fantasy seriously. And this project… It’s not just high fantasy. It’s high fantasy with history, with lore. The actual storyline I want to write deals with the aftermath of the big war ten years before. Beyond that, there’s some really long-ago history about why this [special] [magical] country functions the way it does. And farther back, the mythology. Looking forward, I even have an idea for the thousand years later story when all the magic has faded from the world (… or so everyone thinks!).
And those are the reasons I find my own story problematic for me, myself, right now. They’re also the reasons I think it will make a great project for NaNoWriMo. I need something that I’m not under too much pressure to take seriously, especially if I’m going to be banging out 50,000 words in a month. I also tend to have a really scattered writing style on a first draft anyway, and (not sure if this is entirely kosher with the nano rules, and I don’t really care) I’m giving myself permission to work on the lore, the backstory, all the connecty bits, whenever I want to, even if I’m not sure how they fit into the main narrative. It’s all part of the project, and I’m going to let all of that count towards the 50,000 words. And this really is a project I’ve been putting a lot of thought into, despite everything, and I’m excited to see where it goes if I let myself get to work.
The project. I haven’t even field-tested the title, you know? What if it just sounds dumb? I called it Tredaf back in high school (yes of course this is a resurrected project, but it’s really honestly changed A LOT since then and anyway I’m starting over from scratch) but that’s the name of the magical country and I think the country itself needs a name-change. The current working title is… badadadum… The Legend of the Blood Tog King. Or just The Blood Tog King. And here’s my question; a real, serious question. You can put your answer in the comments. Does it sound dumb?
It’s about this guy, Cor Daggerhand, who is blood brother to Tristan, the king. It’s a country where bonds between people have magical properties, and none more powerful, or more dangerous, than a blood bond. [These bindings are symbolized by tokens, worn around the neck or pinned to clothing. Over many years of use, the word “token” degenerates to “tog”, which now describes the whole concept.] Ten years ago Cor and Tristan won the great war, and Tristan reclaimed his rightful throne. Days after the victory, however, Cor skedaddled, and left his brother and the entire country behind him. Upon his grudging homecoming (the start of this book), he discovers that the past ten years have changed Tristan into someone almost unrecognizable—someone with terrible plans for the nation they both call home. Can Cor battle his own blood-brother to keep his beloved country free? And has the king truly turned evil/gone mad, or can Cor save Tristan from himself?
Tristan and Cor (an unfinished sketch)