Rewriting is funny. Kind of like time-travel is funny. Kind of like back when we all had VCRs (I still have one) you could hit record, and tape a new thing over something you’ve already recorded. That’s the feeling I have right now: I hit record on a new scene and I’m watching it play out, and as it plays out, it’s erasing some things that already occupied that time slot in my narrative. I think the new scene is better, which is why I’m letting it run, but the old stuff wasn’t bad, you know? I’m sad to see it go. The nuts and bolts of the old scene still pretty much get sandwiched in with the new stuff around it, but now everything about the old scene means something else and must be handled differently in light of a whole thing that just upset the emotional equilibrium of the two main characters.
Just so you know, this new scene doesn’t change the direction of the whole plot or anything—it’s just the problem of the week, and I’m working through it. Also, I’m going to share this illustration with you. It’s one of the best ones I’ve done so far; a lot of people said so. Technically it still works and I’m really hoping I can still use it, but due to this re-recording of events its inclusion in the actual book is in jeopardy. This is why you should consider writing your book before you illustrate it.